Some lament lost dreams, while others suffer from medical conditions another character constantly craves alcohol. Throughout Sweet Home, the characters constantly highlight the differences between humans and monsters by reinforcing their humanity. While there are some heartwarming scenes, they never last long, and the series descends further into darkness over time. Sweet Home is grim, gritty, and often pessimistic. The apartment complex itself is far from a sweet home residents turn into monsters, and the apartment complex is cramped, dirty, and old-at times reminiscent of the apartment from another Korean drama, Strangers From Hell, or even the real-life Kowloon Walled City in Hong Kong. Like the series title, the entire plot presents numerous oxymorons. A ragtag group including Hyun-soo, medical student Eun-hyuk (Lee Do-hyun) and his sister Eun-yu (Go Min-si), musician Ji-su (Park Gyu-young) come together to fight for survival. But strange incidents start to happen in the building, when his neighbours start to turn into monsters. The socially withdrawn Hyun-soo wants nothing more than to commit suicide. Sweet Home follows Cha Hyun-soo (Song Kang) who moves to a rundown apartment complex after the death of his family. With a huge ensemble cast, ambitious special effects, and action-packed sequences, Sweet Home cements itself as a refreshing breath of fresh air when it comes to Korean dramas, where romance reigns supreme. In fact, Sweet Home may be K-drama’s answer to the horror fantasy genre. Despite its name, the series is far from sweet. Netflix’s latest original Korean drama offering is Sweet Home, adapted from the webtoon of the same name by Lee Eung-bok (director of smash hits like Mr.
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